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Large two-strand wedding Skhab necklace from Tunisia. The beads were made with a paste containing grey amber, sandal, musk, rose water, and other scented materials. The skhab necklaces were an important piece of women's jewellery in the Maghreb area, specially in Algeria and Tunisia. The scented beads were considered aphrodisiac, so the necklace could only be worn when the husband was around. Scented beads, high grade silver and cotton. From the first half of the 20th century. Although some decades has passed since the necklace was made it is still possible to smell the scent. Provenance: European private collection. Dimensions: Length of the shorter strand: 88 cm Length of the longer strand: 104 cm Size of the scented beads: 4,7 x 4,7 x 1,2 cm Size of the silver conical beads: 7 cm long Literature: “Le bijoux de Tunisie”, Samira Gargouri-Sethom, Dunes Editions, 2005, p. 123 “Le bijou traditionnel en Tunisie” Samira Gargouri-Sethom, Edisud, 1986, p. 41 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 43 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 36 TUN13
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Silver ring from the Himalayan region. Made of high grade silver and a turquoise. From the first half of the 20th century. Provenance: European private collection. Dimensions: Top of the ring: 2,5 cm Size of ring: 8 1/2 or 18,75 (inner diameter) Weight: 23,7 gr Literature: “Bagues ethniques d'afrique, d'Asie et d'Amerique”, van Cutsem, Anne, Skira, 2000, p. 155 HIM142
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Belt buckle from the Caucasus, made up of two silver elements with engraved and niello decoration of stylized geometric and plant motifs, enhanced with riveted nails and carnelian cabochons. Attachment system using a metal rod with an openwork button head connected by a chain to one of the two elements. The size of the belt buckle and the fine niello decoration shows the social status of the owner of this piece. Material: Silver, niello, carnelian and blass on the back From the 19th or early 20th century. Size: 40 cm x 8 cm Weight: 546,2 gr Literature: “Ceintures ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2004, p.123 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 368 ME231
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High grade silver earrings worn by Miao Chinese minority in SW China hills. From early 20th century. Provenance: European private collection. Dimensions: 6,5 x 3,7 x 1 cm Weight: 19,3 gr Literature: “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001, p. 177 XIN13
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High grade silver and turquoise ring, either from Central Asia or from Saudi Arabia. From he first half of the 20th century. Provenance: European private collection. Size: Ring size 8 1/2 or 18,75 inner diameter Top of the ring: 2 cm ME265
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Bronze box that contains lime. The box is suspended from the belt, together with a beaded ornament and spatula. Lime is necessary for the preparation of betel. From the 19th century or early 20th. Dimensions: 6 x 5,5 x 6 cm Weight: 174,1 gr It is overall in good condition, although the two parts don't totally fit, due to deposits of lime on the rim A similar example can be seen at the British Museum's collection in London Literature: “Ceintures ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2004, p. 160 IND1615
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Shawl clasp digra worn by Monpa women in Kameng Division, Arunachal Pradesh (India). Used to fasten the clothes, the bail was at the bottom when worn, with an ornamented chain hanging from it. Aka and Miji tribal women from the same division would also wear this garment. Made of silver and turquoise. 19th century or early 20th Provenance: European private collection. Dimensions: 13 x 12 cm Weight: 109,2 gr Literature: "The seven sisters of India", Stirn and Van Ham, Prestel, 2000, p. 46 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 139 “Himalayan treasures”, Giehmann, Manfred, The Manfred Giehmann collection, 2019, p.75, 80 HIM152
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Shawl clasp digra worn by Monpa women in Kameng Division, Arunachal Pradesh (India). Used to fasten the clothes, the bail was at the bottom when worn, with an ornamented chain hanging from it. Aka and Miji tribal women from the same division would also wear this garment. Made of silver, coral and turquoise. 19th century or early 20th Provenance: European private collection Dimensions: 8,3 x 6 cm Weight: 40,5 gr Literature: "The seven sisters of India", Stirn and Van Ham, Prestel, 2000, p. 46 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 139 “Himalayan treasures”, Giehmann, Manfred, The Manfred Giehmann collection, 2019, p.75, 80 HIM151
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Matching pair of silver hinged anklets natla, from Oman. The frontal side is elaborately patterned with engraved and embossed designs. They fasten with a pin. For a woman, after marriage, anklets were considered an essential part of the dress. High-grade silver (tested as more 800/1000). From the beginning of the the XXth century. Overall in good condition, they show some wear, consistent with age and use. Provenance: European private collection. Dimensions: Inner diameter: 6,8 cm Total size: 10 x 11,5 x 6 cm Weight: 860 gr References: “Silver. The traditional art of Oman”, Hawley, Ruth, Stacey International, London, 2000, p. 59 “Bracelets ethniques”, van Cutsem, Anne, Skira, 2002, p. 145 “Oman Adorned”, Shelton, Pauline-Morris, Miranda, Apex Publishing, 1997, p. 118 “Disappearing Treasures of Oman”, Forster, Avelyn, Archway books, 1998, p.73 “Shine and Mistery, the splendor and power of Oriental jewelry”, Hoesli, Peter, Knayf-Museum Iphofen, 2023, p. 102-103 ME283
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Solid bronze or brass bracelet from the Himalayan region, most probably from Buthan. Both terminals feature facing dragons, which is also a common shape for Newar (Nepal) bracelets. Similar bracelets are also worn in Tibet. From the 19th century or early 20th. Provenance: European private collection. Dimensions: Total size: 8,5 x 7,5 x 1,4 cm Inner diameter: 5,5 cm Opening gap: 2,5 cm Weight: 213,2 gr Literature: “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004, p. 106 “Himalayan treasures”, Giehmann, Manfred, The Manfred Giehmann collection, 2019, p.172 “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 237 HIM123
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Lahu or Lisu silver earrings from the Golden Triangle (SE Asia). Surrounded by small pendants, a decorated bell hangs in the middle of each earring. The hook is a new addition and allow the earrings to be easily worn. From the first half of the 20th century. Length with hook: 9,5 cm Combined weight: 63 gr Literature: “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001, p. 196 “Peoples of the golden triangle”, Lewin, Paul and Elaine, River Books, Bangkok, 1998, p. 61 SEA509
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Fon bracelet made of silver and worn on the upper part of the arm. More than one hundred years ago, the elite of the Danhomé Kingdom in West Africa would have worn these silver ornaments to adorn themselves and show off their wealth, and also to protect themselves from harm and evil. Fashioned by jewelers from imported silver coins, the ornaments were embellished with tiny sculptures that refer to past kings, heroic wars, and the Vodun religion. The coins attached to the ornaments date from between 1873 and 1910. Silver content is probably around 700/1000. Provenance: French private collection. Dimensions: Central plate: 5 x 4 x 4 cm Length of the chains: 20 cm Weight: 42,7 gr WA179
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High grade silver earrings from Oman, linked by a "mishill" headband made of finely woven silver. The silver band is passed over the head and it is meant to alleviate the weight of the hoop earrings. Worn mainly in North Oman. The silver band was worn under the head-cloth. A woman first wore the mishill at her wedding and thereafter she would have worn it at all festivals and special occasions. From Mid 20th century or earlier. Provenance: private French collection. Dimensions: Each earring: 6,5 cm (diameter) Total length: 40 cm Weight: 85,6 gr Literature: “Oman Adorned”, Shelton, Pauline-Morris, Miranda, Apex Publishing, 1997, p.64 “Silver Jewellery of Oman”, Rajab, Jehan S., Tareq Rajab Museum, Kuwait, 1997 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 390 “Silver. The traditional art of Oman”, Hawley, Ruth, Stacey international, London, 2000, p.65 ME272
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Five-strand necklace from South Yemen, with silver Indian rupee coins and dangles hanging from the bottom strand. Coins are dated between 1878 and 1945, from Queen Victoria and King George V. High grade silver and coral. From the 1st half of the 20th century or earlier. The hook and chain is a recent addition to the necklace. Dimensions: Total length (shorter strand): 48 cm Weight: 217 gr YEM34
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Beaded pectoral called hapamat , worn by Kungrat Uzbek women, Central Asia. Women of these Uzbek group make themselves beaded ornaments, that are meant to be protective against evil eye. Unlike other ethnic groups of Central Asia that use silver or gold to make their ornaments, the Kungrats prefer beads to adorn themselves. Materials: Glass beads, metal ornaments, mother of pearl buttons, cowries and cotton thread. From the 60s' of 20th century. Provenance: European private collection. Dimensions: Pectoral:29 x 21 cm Length of the doble beaded strand to fasten it: 38 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 205 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 259 “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981, p. 110 CA202
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Beaded pectoral called hapamat , worn by Kungrat Uzbek women, Central Asia. Women of these Uzbek group make themselves beaded ornaments, that are meant to be protective against evil eye. Unlike other ethnic groups of Central Asia that use silver or gold to make their ornaments, the Kungrats prefer beads to adorn themselves. Materials: Glass beads, metal ornaments, mother of pearl buttons, cowries and cotton thread. From the 60s' of 20th century. Provenance: European private collection. Dimensions: 34 x 28 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 205 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 259 “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981, p. 110 CA203
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Hair pin from Sumba, Indonesia Material: Tortoiseshell From the first half of the 20th century or earlier. Provenance: European private collection. Dimensions: 14 x 6,5 cm Literature: INDO42
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A broad war helmet frontlet shaped from hammered brass known as a tap lavong kayo from Kayanic Dayak, eastern Kalimantan, Borneo, Indonesia.
Material: bronze.
From the first half of the 20th century.
The frontlet is folded gently backwards at the midsection to accommodate the curvature of the helmet and features projecting tendrils that flank a highly stylized visage. Scholars posit that these figures represent protective guardian spirits or perhaps spirits of ancestral figures who protect the warriors during each instance of combat.
Provenance: European private collection
Dimensions:
Only the helmet frontlet: 19,5 x 13 cm
Literature:
“Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 152 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 279, 324 “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 211 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 222INDO107
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South Sumatran comb used as part of the wedding cerimonial jewellery, together with other pieces (Indonesia). These filigree combs are found in Lampung and are usually referred to as Lampung combs, it appears that they were manufactured n West Sumatra by the Minangkabau who excelled in this work. The filigree and granulated decoration confirm de Islamic influence on the Sumatran coasts. Materials: gilded silver, silver. From the first half of the 20th century. Dimensions: 13,5 x 6 cm Weight: 69,4 gr Literature: “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 280 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 125 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 273 INDO155
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Big silver men's ring from Tibet. It is called Saddle ring because of the shape similar to a horse saddle. Made of high grade silver, coral and turquoise. From the first half of the 20th century or earlier. Provenance: UK private collection. Dimensions: Top of the ring: 2,7 cm Ring size: Adjustable, 9 - 19 mm (inner diameter) Weight: 25 gr Literature: “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 124 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 291 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p.173 “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004, p. 25 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 155 HIM136
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Pubic ornament for boys, which was worn around the waist. From Sumbawa, Indonesia. High grade silver, decorated with filigree and granulation. From the 19th century. Dimensions: Ornament(with round beads): 7,5 x 5,5 cm Height with base: 20,5 cm Weight: 16,2 gr Literature: “Sieraden, en lichaamsversiering uit Indonesië”, Wassing, Rita, Museum Nusantara, 1984, p.116 INDO133
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Head ornament worn by chamans from Krui people (South Sumatra) or from Siberut Island, Mentawai archipielago (Indonesia). Materials: wood, cotton, glass beads, cauris, shell, paper seeds. The suspended objects are considered to have magic powers. First half of the 20th century. Dimensions: 20 x 20 x 18 cm Literature: “Le Monde en Tete”, Seuil, 2019, p. 190 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 186 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 101 “Voyage dans ma tête”, fage éditions, 2010, p. 152 INDO131
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Old Tekke ring, made of high grade silver and fire gilded silver. The whole ring has an old and worn patina. From the Turkoman people, Central Asia. From the first half of the 20th century. Provenance: UK private collection. Size (inner mm): 19,25 mm - US size is 9 1/4 Weight: 8,7 gr Literature: “The arts and crafts of Turkestan”, Kalter, Johannes, Thames and Hudson, 1983, p. 127 “Der Turkmenenschmuck”, Rudolph, Hermann, Museum für Völkerkunde, 1984, p. 251 “Bagues ethniques d’afrique, d’Asie et d’Amerique”, van Cutsem, Anne, Skira, 2000, p. 112 CA241
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Rare Minangkabau necklace,from West Sumatra, Indonesia. The necklace is made of high grade silver (gilded). While the oval filigree pendants with a central flower might suggest the stylized lotus, they are also typical of the star forms used in the Islamic design protocols of the Ottoman Empire, the Middle East and elsewhere. Late 19th century pictures show women of Solok wearing similar necklaces and it is likely that they were either made in nearby Padang on the coast or asembled there from filigree elements sent down by numerous silversmiths working in the Agam hills. The Central pendant is the biggest, and the rest have decreasing sizes. From the 19th or early 20th century. Dimensions: Length: 50 cm Size of central pendant with dangles: 6,5 x 3,5 cm Weight: 73,6 gr Literature: “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p.286 INDO136
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Yemeni ring made of high-grade silver. This kind of rings are called tower rings, and are also worn by Rashaida women. Age: 1st half of the 20th century. Provenance: UK private collection. Dimensions: Total height of the ring: 4,5 cm Ring size: 18 mm inner diameter - US size 7 3/4 Literature: “Bagues ethniques d'afrique, d'Asie et d'Amerique”, van Cutsem, Anne, Skira, 2000, p. 120 “Africa Adorned”, Fisher, Angela, Collins Harvill, London, 1984, p. 279 ME267
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Turkoman woman’s ear pendant called “tenetschir”, generally attached to a headdress, not to the ears. From the Tekke people from the oasis of Merv and Salor people from the oasis of Serachs. Materials: high-grade silver, fire-gilded silver and carnelians in table cut. From the 19th or first quarter of the 20th century. Provenance: UK private collection Dimensions: 20 x 6 cm Weight: 86 gr Literature: “Old silver jewellery of the Turkoman”, Schletzer, Dietrich Reimer Verlag, 1984, p. 184.5 “Der Turkmenenschmuck”, Rudolph, Hermann, Museum für Völkerkunde, 1984, p. 134 “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001. p. 81 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 96 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 134 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 354 CA208
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A Tibetan gau amulet pendant, with excellent patina and good workmanship. This gau was worn in the Eastern provinces of Tibet, Kampa region. Made of high grade silver, brass and coral. A leather string was tied at the back to avoid losing the lid. From the 1st half of the 20th century. Dimensions: 6,3 x 4,5 x 3,8 cm Weight: 44,5 gr Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003 “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004 HIM130
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This is a complete set of big fibulae from Tiznit - Tafraoute, worn by Amazzigh/Berber women. They are made of High-grade silver and enamel, with glass settings. It is in very good condition and all elements are original. Both fibulae were cut from a sheet of silver and then etched with fine decoration and enamel. The chains linking both fibulae are also decorated with enamel and glass and some coins with a glass cabochons hangs from the chain. The central element is an amulet box or herz and, there's a decorated hook that was attached to the clothes to lighten the weight of the set. Both the herz and the hook are enamel and inset with glass. From the first half of the 20th century. Provenance: private German collection. Dimensions: Each fibula (with the needle): H 27 x W 16,5 cm total length from end to end: 86 cm Size of central pendant (with coins): 11,5 x 5 cm Weight 795 gr. References: “Les fibules, deux mille ans en Afrique du N”, Rabaté. Marie-Rose, ACR Edition, 2013 “Bijoux du Marroc. Du Haut Atlas à la Vallée du Draa”, Rabaté, Marie-rose et Jacques, Edisuc/Le Fennec, 1996 “Splendeurs du Marroc” Editions plume, 1998 “Berber women of Morocco” Fondation Yves Saint Laurent, 2014 MAR305
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8 x 6 cm Inner diameter: 5,4 cm Back opening: 2,6 cm Width: 1 cm Weight: 109,7 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO114
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Big high grade silver anklets from Gujarat, India, with deep repoussé work. These type of anklets is worn by Maldhari women in this region. The big balls are attached to the anklets. These tinkling bells announce the presence of the wearer and at the same time repel insects and ward off the evil eye. Age: 19th century or early 20th. Dimensions: Total size: 13 x 11,5 cm Innner diameter: 7 cm Width: 2,2 cm Combined weight: 775 gr Literature: “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 273 “Indian Folk jewellery”, Ganguly, Waltraud, B.R. Publishing Corporation, 2015, p. 32 “Indian Jewellery”, Holbein Hendley, Thomas, BR publication, Delhi, 2009, p.pl. 64 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. IND1138
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A three-strand traditional coral necklace, called"namysto", from Ukraine. In Ukranian folklore corals were used to symbolize youth and health. Bright red beads meant that the woman was strong and healthy, but dull and greyish ones warned of disease. From the 19th century or older. Provenance: European private collection. Dimensions: Length of the longest strand: 68 cm Size of the bigger central bead (diameter): 1,5 cm Weight: 134,6 gr Literature: “Splendor and shine in the river of time“, Steiner, Irene, Liechtensteinisches Landes Museum, 2020, p. 74 EUR19
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Silver earrings from Nage or Ngada people, Flores, Indonesia. Age: 1st half of the 20th century or earlier. Provenance: German private collection. Dimensions: 3 x 2 x 0,5 cm Weight: 20,1 gr Literature: “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001, p.283 “Sieraden, en lichaamsversiering uit Indonesië”, Wassing, Rita, Museum Nusantara, 1984, p.71 INDO130
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High grade silver bracelet from West or Central Timor, Indonesia. Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. Provenance: European private collection. Dimensions: Total size: 7,5 x 6 cm Inner size: 6 cm Width: 2,5 cm Back opening: 1,7 cm Weight: 104,3 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO118
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Old silver pendant necklace, used as a lingam casket box. These pendants were designed as containers to hold a sacred lingam stone representing the god Shiva. The upper part is topped by horns, symbolizing Nandi, Shiva's bull mount. From early 20th century. High grade silver. Lingayats are a Hindu group who believe that Shiva is the only deity, rather than the 3 gods revered by other Hindus. They also believed that the sacred presence of Shiva was not simply confined to the temple, but that it could be held in these pendants for a personal connection to the god. Provenance: French private collection Length of the chain: 88 cm Size of the lingam casket: 7 x 10,5 x 3,5 cm It weighs 219,6 gr. For more information about this fascinating pieces, please see my post about silver lingam caskets here Literature: “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, 199 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 236 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 317 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 140 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 135 IND1689
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Silver necklace from the Greater Kabilia in Algeria. These sort of necklaces, called “Azrar”, were given to women as wedding dowry. They were then use on especial celebrations and festivals. Materials: high grade silver, coral and enamel. From the first half of the 20th century. Provenance: German private collection. The necklace has 21 charm pendants in different shapes, also old French silver coins. Some of the pendants were enamel in blue, green and yellow. These colors and the enamel technique used on them are typical of Berber jewelry from the mountainous kabylie, especially from Beni Yenni. A red coral bead was inset on mostly all pendants, to protect the wearer from evil eye and illness. The necklace is shown in its original condition, and hasn’t been clean or repaired. Dimensions: Length: 41 cm Size of bigger pendants: Between 2,5 and 2,7 cm Weight: 147,4 gr It is fastened with a hook. Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 36 “Abzim Parures et bijoux des femmes d'Algérie“, Tamzali, Wassyla, Enterprisse -algérienne de Presse, 1984, p. 164 “Bijoux berbères d'Algérie”, Camps-Fabrer, Edisud, 1990, p. 94 “L'argent de la lune”, Makilan, 2015, p. 97-99 “El llenguatge de la joia”, Fundació Caixa Girona, 2008, p. 116 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 20 ARG141
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8,5 x 6 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 1 cm Weight: 119,5 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO116
