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Silver necklace from the Greater Kabilia in Algeria. These sort of necklaces, called “Azrar”, were given to women as wedding dowry. They were then use on especial celebrations and festivals. Materials: high grade silver, coral and enamel. From the first half of the 20th century. Provenance: German private collection. The necklace has 21 charm pendants in different shapes, also old French silver coins. Some of the pendants were enamel in blue, green and yellow. These colors and the enamel technique used on them are typical of Berber jewelry from the mountainous kabylie, especially from Beni Yenni. A red coral bead was inset on mostly all pendants, to protect the wearer from evil eye and illness. The necklace is shown in its original condition, and hasn’t been clean or repaired. Dimensions: Length: 46 cm Size of bigger pendants: Between 3,2 cm Weight: 153,3 gr It is fastened with a hook. Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 36 “Abzim Parures et bijoux des femmes d'Algérie“, Tamzali, Wassyla, Enterprisse -algérienne de Presse, 1984, p. 164 “Bijoux berbères d'Algérie”, Camps-Fabrer, Edisud, 1990, p. 94 “L'argent de la lune”, Makilan, 2015, p. 97-99 “El llenguatge de la joia”, Fundació Caixa Girona, 2008, p. 116 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 20 ARG130
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A three-strand traditional coral necklace, called"namysto", from Ukraine. In Ukranian folklore corals were used to symbolize youth and health. Bright red beads meant that the woman was strong and healthy, but dull and greyish ones warned of disease. From the 19th century or older. Provenance: European private collection. Dimensions: Length of the longest strand: 68 cm Size of the bigger central bead (diameter): 1,5 cm Weight: 134,6 gr Literature: “Splendor and shine in the river of time“, Steiner, Irene, Liechtensteinisches Landes Museum, 2020, p. 74 EUR19
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A four-strand traditional coral necklace, called"namysto", from Ukraine. In Ukranian folklore corals were used to symbolize youth and health. Bright red beads meant that the woman was strong and healthy, but dull and greyish ones warned of disease. From the 19th century or older. Provenance: European private collection. Dimensions: Length of the longest strand: 68 cm Size of the bigger central bead (diameter): 1,4 cm Weight: 136,7 gr Literature: “Splendor and shine in the river of time“, Steiner, Irene, Liechtensteinisches Landes Museum, 2020, p. 74 EUR20
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High grade silver bracelet from West or Central Timor, Indonesia. Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. This particular bracelet has been made with a thick silver plate. Provenance: European private collection. Dimensions: Total size: 7,6 x 5,7 cm Inner size: 6 cm Width: 2,5 cm Back opening: 2,2 cm Weight: 149,2 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO120
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Big high grade silver anklets from Gujarat, India, with deep repoussé work. These type of anklets is worn by Maldhari women in this region. The big balls are attached to the anklets. These tinkling bells announce the presence of the wearer and at the same time repel insects and ward off the evil eye. Age: 19th century or early 20th. Dimensions: Total size: 13 x 11,5 cm Innner diameter: 7 cm Width: 2,2 cm Combined weight: 775 gr Literature: “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 273 “Indian Folk jewellery”, Ganguly, Waltraud, B.R. Publishing Corporation, 2015, p. 32 “Indian Jewellery”, Holbein Hendley, Thomas, BR publication, Delhi, 2009, p.pl. 64 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. IND1138
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8 x 6 cm Inner diameter: 5,4 cm Back opening: 2,6 cm Width: 1 cm Weight: 109,7 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO114
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8,5 x 6 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 1 cm Weight: 119,5 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO116
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A Tibetan gau amulet pendant, with excellent patina and good workmanship. This gau was worn in the Eastern provinces of Tibet, Kampa region. Made of high grade silver, brass and coral. A leather string was tied at the back to avoid losing the lid. From the 1st half of the 20th century. Dimensions: 6,3 x 4,5 x 3,8 cm Weight: 44,5 gr Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003 “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004 HIM130
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Amazigh/Berber bracelets, from the Central Anti-Atlas in Morrocco. They are nielloed, although some of it is worn away. The dome-shaped appliqués seems to ward off the evil eye. High grade silver. First half of the 20th century or earlier. Provenance: European private collection. Dimensions: Inner diameter: 6 cm Back opening: 3 cm Combined weight: 246,8 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 20 “Bijoux Berbéres Au Marroc dans la tradition judeo-arab”, Rouach, David, ACR Edition, 1989, p. 186 “Bijoux du Marroc. Du Haut Atlas à la Vallée du Draa”, Rabaté, Marie-rose et Jacques, Edisuc/Le Fennec, 1996, p. 93 MAR306
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Turkoman woman’s ear pendant called “tenetschir”, generally attached to a headdress, not to the ears. From the Tekke people from the oasis of Merv and Salor people from the oasis of Serachs. Materials: high-grade silver, fire-gilded silver and carnelians in table cut. From the 19th or first quarter of the 20th century. Provenance: UK private collection Dimensions: 20 x 6 cm Weight: 86 gr Literature: “Old silver jewellery of the Turkoman”, Schletzer, Dietrich Reimer Verlag, 1984, p. 184.5 “Der Turkmenenschmuck”, Rudolph, Hermann, Museum für Völkerkunde, 1984, p. 134 “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001. p. 81 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 96 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 134 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 354 CA208
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Yemeni ring made of high-grade silver. This kind of rings are called tower rings, and are also worn by Rashaida women. Age: 1st half of the 20th century. Provenance: UK private collection. Dimensions: Total height of the ring: 4,5 cm Ring size: 18 mm inner diameter - US size 7 3/4 Literature: “Bagues ethniques d'afrique, d'Asie et d'Amerique”, van Cutsem, Anne, Skira, 2000, p. 120 “Africa Adorned”, Fisher, Angela, Collins Harvill, London, 1984, p. 279 ME267
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Rare Minangkabau necklace,from West Sumatra, Indonesia. The necklace is made of high grade silver (gilded). While the oval filigree pendants with a central flower might suggest the stylized lotus, they are also typical of the star forms used in the Islamic design protocols of the Ottoman Empire, the Middle East and elsewhere. Late 19th century pictures show women of Solok wearing similar necklaces and it is likely that they were either made in nearby Padang on the coast or asembled there from filigree elements sent down by numerous silversmiths working in the Agam hills. The Central pendant is the biggest, and the rest have decreasing sizes. From the 19th or early 20th century. Dimensions: Length: 50 cm Size of central pendant with dangles: 6,5 x 3,5 cm Weight: 73,6 gr Literature: “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p.286 INDO136
