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A four-strand traditional coral necklace, called"namysto", from Ukraine. In Ukranian folklore corals were used to symbolize youth and health. Bright red beads meant that the woman was strong and healthy, but dull and greyish ones warned of disease. From the 19th century or older. Provenance: European private collection. Dimensions: Length of the longest strand: 68 cm Size of the bigger central bead (diameter): 1,4 cm Weight: 136,7 gr Literature: “Splendor and shine in the river of time“, Steiner, Irene, Liechtensteinisches Landes Museum, 2020, p. 74 EUR20
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Necklace with translucent glass beads and bronze bells from the Naga people inhabiting the region of Nagaland, in NE India and NW of Myanmar. From the 19th century or early 20th century. As the Nagas possessed no glass-making technology, these beads were traded. Provenance: Italian private collection Dimensions: Length: 74 cm Size of bigger beads: 4,3 cm It weighs 270,4 g References: “The Nagas”, Jacobs, Julian, Edition Hansjörg Mayer, 2012,p 322 IND1678
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High grade silver bracelet from West or Central Timor, Indonesia. Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. This particular bracelet has been made with a thick silver plate. Provenance: European private collection. Dimensions: Total size: 7,6 x 5,7 cm Inner size: 6 cm Width: 2,5 cm Back opening: 2,2 cm Weight: 149,2 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO120
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Old turquoise, amber and coral beads necklace from the Himalayan region. Turquoise, amber and coral have a prophylactic meaning in Tibet. There are two lonf The beads are from 19th century or older. Turquoise is the most favored gemstone in the Himalayas. It was sourced in Tibet, China and Iran (traveling through Ladakh before the 19th century, and through Bombay and Calcutta later on). Coral came from Italy since the 13th century through the silk road. Provenance: German private collection. Dimensions: Length: 39,5 cm Biggest amber bead: 2,2 cm (diameter) Weight: 50,5 gr Still in its original stringing. Literature: “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “Colliers ethniques d’Afrique d’Asie, d’Océanie et d’Amérique”, Leurquin, Anne, Skira, 2003 HIM124
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Big gilded silver amulet "Tumar", from Uzbekistan (Central Asia). Materials: silver, gilded silver, turquoisea and glass. From the 19th century or early 20th. Dimensions: 13 x 9,5 x 1,7 cm Weight: 156,8 gr Literature: “Il corallo. Nell'ornamento dell'Asia islamica dalla Turchia all'Uzbekistan”, del Mare, Cristina-Vidale, Massimo, Electa napoli, 2001, p. 101 “Museum of the ethnography of the peoples of the USSR”, Aurora Art Publishers, Leningrad, 1988, p. 118 “A song in metal. Folk Art of Uzbekistan”, Abdullayev, T, Gafur Gulyam Art and Literature Publishers, Tashkent, 1986, p. 237 “Traditional jewellery from Soviet Central Asia and Kazakhstan”, Sovetsky khudozhnik Publishers, 1984, 163 CA201
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 7,2 x 5,5 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 0,7 cm Weight: 51 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO113
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Ceremonial necklace of woven silver wire, expanded al regular interval to form beads. From Sumbawa island, Indonesia. Only a needle was used to create the very fine detail on this kidd of ornaments. With such rudimentary tools, great craftmanship was required. From the 19th century. In good condition, considering age and wear. The central "bead" has been slightly damaged (see pictures). Provenance: Belgian private collection. Dimensions: Length: 74 cm Size of the beads: 1,7 cm Weight: 45,3 gr Literature: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 191 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 488-9 INDO105
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Uzbek silver bracelet, most probably from Bukhara. The use of gemstones have prophylactic meaning, being turquoise favorable against evil eye and coral a symbol of life. Materials: silver, gilded silver, turquoise and coral. From the 19th century. In very good condition, no parts missing. Dimensions: Inner diameter: 5,7 cm. The bracelet can be opened with a pin. Width: 3 cm Weight: 59,5 cm Literature: “Il corallo. Nell'ornamento dell'Asia islamica dalla Turchia all'Uzbekistan”, del Mare, Cristina-Vidale, Massimo, Electa napoli, 2001, 109 “A song in metal. Folk Art of Uzbekistan”, Abdullayev, T, Gafur Gulyam Art and Literature Publishers, Tashkent, 1986, p. 187 “Traditional jewellery from Soviet Central Asia and Kazakhstan”, Sovetsky khudozhnik Publishers, 1984, p.73 “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 155 CA184
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Matching pair of Kazakh silver bracelets with rings attached with chains for the five fingers on each hand. The central medallion is an old coin (see pictures). Central Asia. Very similar examples were worn by Turkmen women, with the characteristic regional symbols and shapes. From the 19th century. Provenance: Belgian private collection. Dimensions: Inner diameter of the bracelets (slightly flexible): 5,5 cm Back opening: 2,5 cm Size of rings: different sizes, contact me for more details. Weight: 124,3 gr Literature: “Kazakh Jewellery”, Tokhtabayeva, 1985 CA188
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A gold marriage pendant from South India, worn by women in Tamil Nadu and Kerala. This kind of pendants are not massive gold, they usually have a lac core. Purity of gold is 22 kt. From early 20th century or earlier. Provenance: Spanish private collection. Dimensions: Height:3,7 x 1,5 x 1,7 cm Weight: 6,5 gr. Bibliography: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Dance of the peacock”, Krishnam, Usha R. Bala, India book House, 2010 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 For more information about these pendants, check our post about Gold Indian talis IND1661
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Angami (Naga) necklace with 7 rows of shell, glass and carnelian beads, with bone spacers. It still keeps the original composition, apart from the top strand of carnelian, that are a later addition. From 19th Century or early 20th century. Materials: carnelian, glass beads, shell beads and endings, bone spacers, natural fibers. Provenance: Italian private collection. Length of shorter strand: 90 cm Length of longer strand: 120 cm shell endings: 11,5 x 7,5 cm Width (bone spacers): 9 cm Weight: 666,5 gram Bibliography: Jacobs, Julian “The Nagas – Hill Peoples of Northeast India” Leurquin, Anne “Colliers ethniques” Daalder, Truus “Ethnic Jewellery and Adornments”IND1683
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Gold marriage pendants from South India, worn by women in Tamil Nadu and Kerala. The purity of gold is at least 22 kt. From the 19th century. Provenance: Spanish private collection. The size of the pendants is 3,4 x 2,6 cm Literature: “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Traditional Jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 INDN89
