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Elbow bracelet called “iwuki” or “aweyka”. It is a large ring carved in stone (or sometimes wood) worn by men above the elbow. It could be worn alone or with other similar bracelets. The stone is sourced in the Aïr desert. It fell into disuse at the end of the 20th century except for the Fulani Bororo (woodabé), who borrowed them from the Tuareg and wear it frequently, still today. Each shape has a different name. Inner diameter: 8,5 cm Literature: “Bijoux tuaregs”, Burner, Jean, Éditions du Fournel, 2011, p. 254 WA125
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Rare woman's Toraja necklace, South and Central Sulawesi, Indonesia. Materials: Silver, wood and painted glass. Most of the glass beads used by the Toraja were imported or derived from trading. The silver beads were probably made by itinerant Bugis smiths; the wood core were typical of Toraja and not found elsewere. From the 19th century or early 20th. Provenance: Belgian private collection. Dimensions: Length: 54 cm (no clasp) Each bead 2,5 x 1 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 344 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 188 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 217 “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p. 256-7 INDO104
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8 x 6 cm Inner diameter: 5,4 cm Back opening: 2,6 cm Width: 1 cm Weight: 109,7 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO114
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8,5 x 6 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 1 cm Weight: 119,5 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO116
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 7,2 x 5,5 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 0,7 cm Weight: 51 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO113
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High grade silver bracelet from West or Central Timor, Indonesia. Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. Provenance: European private collection. Dimensions: Total size: 7,5 x 6 cm Inner size: 6 cm Width: 2,5 cm Back opening: 1,7 cm Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO118
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A long necklace that is usually worn in Southern Uzbekistan in an area where ethnic Uzbek, Tajik, and Pamir live. Made of silver, coral, shell and glass beads. Date: first half of the 20th century or earlier. Dimensions: Length: 104 cm Central pendant: 7 x 7 cm Weight: 304,3 gr Literature: “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981 “Il corallo. Nell’ornamento dell’Asia islamica dalla Turchia all’Uzbekistan”, del Mare, Cristina- Vidale, Massimo, Electa napoli, 2001 “Kyrgyzstan. Ethnic jewellery of Central Asia”, Kadyrov, V., Rarity Firm LTD, 2007 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011 “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981, p. 70 CA194
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A six-strand necklace that is usually worn in Southern Uzbekistan in an area where ethnic Uzbek, Tajik, and Pamir live. Made of silver, coral, shell and glass beads. Date: first half of the 20th century or earlier. Dimensions: Length: 92 cm Central pendant with dangles: 11,5 x 5,7 cm Weight: 262,1 gr Literature: “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981 “Il corallo. Nell’ornamento dell’Asia islamica dalla Turchia all’Uzbekistan”, del Mare, Cristina- Vidale, Massimo, Electa napoli, 2001 “Kyrgyzstan. Ethnic jewellery of Central Asia”, Kadyrov, V., Rarity Firm LTD, 2007 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011 CA172
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A six-strand necklace that is usually worn in Southern Uzbekistan in an area where ethnic Uzbek, Tajik, and Pamir live. Made of silver, coral, shell and glass beads. Date: first half of the 20th century or earlier. Dimensions: Length: 88 cm Weight: 211 gr Literature: “Schmuck aus Zentralasien”, Prokot, Inge and Joachim Callwey, Verlag München, 1981 “Il corallo. Nell’ornamento dell’Asia islamica dalla Turchia all’Uzbekistan”, del Mare, Cristina- Vidale, Massimo, Electa napoli, 2001 “Kyrgyzstan. Ethnic jewellery of Central Asia”, Kadyrov, V., Rarity Firm LTD, 2007 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011 CA159
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Ceremonial necklace of woven silver wire, expanded al regular interval to form beads. From Sumbawa island, Indonesia. Only a needle was used to create the very fine detail on this kidd of ornaments. With such rudimentary tools, great craftmanship was required. From the 19th century. In good condition, considering age and wear. The central "bead" has been slightly damaged (see pictures). Provenance: Belgian private collection. Dimensions: Length: 74 cm Size of the beads: 1,7 cm Weight: 45,3 gr Literature: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 191 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 488-9 INDO105
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Ceremonial hair comb called hai kara jangga, from East Sumba, Indonesia. On important occasions and especially during rituals following the death of a highly placed member of the nobility, women dance with these combs stuck into the hair bun as a crown. Marriageable young women wear the comb over their forehead. The combs are still worn today, but the custom is fast dying out. This one has bilaterally symmetrical cocks silhouetted and perched on top of antlered deer, depicted in open work with small and delicate designs. Antlered deer symbolise royalty. The fighting cocks represent the upper world of the spirits, ancestors and nobility, as well as the aggression of aristocratic warriors. An abstract central image between them most likely represents a skull tree called an andung, where trophy heads were displayed. Material: Tortoiseshell From the first half of the 20th century. In good condition, although one of the teeth (far left) is missing. Provenance: French private collection. Dimensions: 15,5 x 14 x 5,5 cm For a similar example, please see the Metropolitan Museum of Art website, accession number: 1987.447.15. Literature: “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 216 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 194 “Magie van de vrouw”, Vanderstraete, Anne, werelsmuseum, Rotterdam, 2012, p. 428-9 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 216 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 212 “Power and gold: jewelry from Indonesia, Malaysia and the Philippines”, Rodgers, Susan, Presteg Verlag, Geneve, 1988, p. 289 “Sieraden, en lichaamsversiering uit Indonesië”, Wassing, Rita, Museum Nusantara, 1984, p 33 “Living with indonesian art”, Brinkgreve, Francine y Stuart-Fox, Rijksmuseum Volkenkunde, 2013, 281 INDO106
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High-grade silver necklace, from Sri Lanka, the clasp has beautiful decoration and it still holds some gilding. From the 19th century or early 20th century. In good condition, with some slight dents on some of the beads. Dimensions: Length: 71 cm Size of the clasp: 9 x 3,8 cm Diameter of beads: 1,9 cm SRI28
