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Pair of silver flexible “paizebh” anklets from India. High-grade silver shaped in a beautiful chain. From the first half of the XXth Century. They can be opened easily with a pin. This kind of flexible Indian anklets look lighter and more frivolous than the rigid pieces that can be found in other regions in India, but they are usually heavier than they appear to be. Women in traditional Central India usually wear several flexible and rigid anklets on each leg at the same time. Check the post about Indian anklets in my blog for more information. Dimensions: Length: 28 cm Width: 3 cm Combined weight: 227,6 gr. Literature: “Indian Jewellery”, Holbein Hendley, Thomas, BR publication, Delhi, 2009 “Rajasthan's silver jewellery”, Pandey, Tripti, Rupa &co,, New Delhi, 2003 IND1571
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Necklace with translucent glass beads and bronze bells from the Naga people inhabiting the region of Nagaland, in NE India and NW of Myanmar. From the 19th century or early 20th century. As the Nagas possessed no glass-making technology, these beads were traded. Provenance: Italian private collection Dimensions: Length: 74 cm Size of bigger beads: 4,3 cm It weighs 270,4 g References: “The Nagas”, Jacobs, Julian, Edition Hansjörg Mayer, 2012,p 322 IND1678
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High-grade silver two-hinged part bracelet (naugari) with projections of simulated gajre balls made from stamped sheet silver. From Rajasthan, India. It is usually worn with many other bracelets on the arms, covering up the whole length. From mid 20th Century or earlier It fastens with a pin. Sizes: Diameter: 14 cm Inner diameter: 7 cm Each projection: 35 mm Weight: 295 gr. Literature: ” Traditional Jewelry of India” by Oppi Untracht, page 255. “Bracelets ethniques d’afrique, d’Asie d’Océanie et d’Amérique”, van Cutsem, Anne, Skira, 2002 “Indian Jewellery”, Holbein Hendley, Thomas, BR publication, Delhi, 2009 IND1173
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High grade silver bracelet from West or Central Timor, Indonesia. Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. This particular bracelet has been made with a thick silver plate. Provenance: European private collection. Dimensions: Total size: 7,6 x 5,7 cm Inner size: 6 cm Width: 2,5 cm Back opening: 2,2 cm Weight: 149,2 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO120
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Rare woman's Toraja necklace, South and Central Sulawesi, Indonesia. Materials: Silver, wood and painted glass. Most of the glass beads used by the Toraja were imported or derived from trading. The silver beads were probably made by itinerant Bugis smiths; the wood core were typical of Toraja and not found elsewere. From the 19th century or early 20th. Provenance: Belgian private collection. Dimensions: Length: 54 cm (no clasp) Each bead 2,5 x 1 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 344 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 188 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 217 “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p. 256-7 “Beads in Indonesia”, Adhyatman, Sumarah - Arifin, Redjeki, Penerbit Djambatan, 1993, p. 118 INDO104
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A gold marriage pendant from South India, worn by women in Tamil Nadu and Kerala. This kind of pendants are not massive gold, they usually have a lac core. Purity of gold is 22 kt. From early 20th century or earlier. Provenance: Spanish private collection. Dimensions: Height:3,7 x 1,5 x 1,7 cm Weight: 6,5 gr. Bibliography: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Dance of the peacock”, Krishnam, Usha R. Bala, India book House, 2010 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 For more information about these pendants, check our post about Gold Indian talis IND1661
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A gold marriage pendant from South India, worn by women in Tamil Nadu and Kerala. This kind of pendants are not massive gold, they usually have a lac core. Purity of gold is 22 kt. From early 20th century or earlier. Provenance: Spanish private collection. Dimensions: Height:3,8 x 1,5 x 1,4 cm Weight: 5,47 gr. Bibliography: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Dance of the peacock”, Krishnam, Usha R. Bala, India book House, 2010 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 For more information about these pendants, check our post about Gold Indian talis IND1662
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Vintage Indian gold necklace. These olive-shaped beads are made with 22kt gold sheets wrapping a wax core. From the second half of the 20th century. Provenance: European private collection. Dimensions: Size of the beads: 1,5 cm Total length: 62 cm Weight: 27,6 gr IND1715
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Old silver bracelet "bitäwa", worn by male members of the Amhara ethnic group in Ethiopia. Armlets of this kind were presented by the emperor to the most successful warriors. They were worn on the right arm. From the beginning of the 20th century or older. Provenance: European private collection. The bracelet fastens with a long pin. Dimensions: Length: 16,5 gr Inner diameter on one end: 5 cm Inner diameter on the other end: 8 cm Weight: 245 gr EA51
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Large two-strand wedding Skhab necklace from Tunisia. The beads were made with a paste containing grey amber, sandal, musk, rose water, and other scented materials. The skhab necklaces were an important piece of women's jewellery in the Maghreb area, specially in Algeria and Tunisia. The scented beads were considered aphrodisiac, so the necklace could only be worn when the husband was around. Scented beads, high grade silver and cotton. From the first half of the 20th century. Although some decades has passed since the necklace was made it is still possible to smell the scent. Provenance: European private collection. Dimensions: Length of the shorter strand: 88 cm Length of the longer strand: 104 cm Size of the scented beads: 4,7 x 4,7 x 1,2 cm Size of the silver conical beads: 7 cm long Literature: “Le bijoux de Tunisie”, Samira Gargouri-Sethom, Dunes Editions, 2005, p. 123 “Le bijou traditionnel en Tunisie” Samira Gargouri-Sethom, Edisud, 1986, p. 41 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 43 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 36 TUN13
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Old silver pendant necklace, used as a lingam casket box. These pendants were designed as containers to hold a sacred lingam stone representing the god Shiva. The upper part is topped by horns, symbolizing Nandi, Shiva's bull mount. From early 20th century. High grade silver. Lingayats are a Hindu group who believe that Shiva is the only deity, rather than the 3 gods revered by other Hindus. They also believed that the sacred presence of Shiva was not simply confined to the temple, but that it could be held in these pendants for a personal connection to the god. Provenance: French private collection Length of the chain: 88 cm Size of the lingam casket: 7 x 10,5 x 3,5 cm It weighs 219,6 gr. For more information about this fascinating pieces, please see my post about silver lingam caskets here Literature: “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, 199 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 236 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 317 “Ethnic jewellery from Africa, Asia and the Pacific Islands”, The pepin Press, 2002, p. 140 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 135 IND1689
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Old silver pendant necklace, used as a lingam casket box. These pendants were designed as containers to hold a sacred lingam stone representing the god Shiva. With gold appliqué on the top of the casket. Lingayats are a Hindu group who believe that Shiva is the only deity, rather than the 3 gods revered by other Hindus. They also believed that the sacred presence of Shiva was not simply confined to the temple, but that it could be held in these pendants for a personal connection to the god. Bibliography: “Traditional Jewelry of India” by Oppi Untracht, page133. This is an original and worn piece, in excellent condition, from the 19th Century. Provenance: Ex- Michael Backman Gallery Length of the chain: 83 cm Size of pendant: 4,5 x 6,8 cm It weighs 108 gr. For more information about this fascinating pieces, please see my post on Indian lingam box caskets. IND1148
