• Traditional old silver earplugs from the Karen tribe They are worn on extended earlobes holes. High-grade silver +800 (tested). From the 19th century. Dimensions: Gauge: 17 mm Diameter of the edge on the back side of the earring: 20 mm Diameter: 3,4 mm Both of them weigh 23 gr. Literature: “Peoples of the golden triangle”, Lewin, Paul and Elaine, River Books, Bangkok, 1998, p. 60 “A world of earrings. Africa, Asia America”, van Cutsem,  Anne, Skira, 2001, p. 236 SEA8
  • Old Silver belt from Karnataka, India.  A central belt buckle is attached to four thick braided chains with rossettes. Belts are worn by women over the sari. Two mythological animals are depicted here: the holy cow Kamdhenu and the elephant Airavati. Both bring happiness. High-grade silver. From 1st half of 20th Century. The buckle can be opened with a screw. Dimensions: The length of the belt is 83,5 cm Medallions diameter: 2,5 cm Size of the buckle: 13 x 5,5 cm Weight: 315 gr Literature: “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005 “Indian Folk jewellery” Ganguly, Waltraud, B.R. Publishing Corporation, 2015 IND1141
  • Gilded silver filigree earrings called "padung curu-curu" for women, shaped like small cones with many tiny spangles at the bottom. Filigree work decorates the sides of the cones, and the earring is attached to the ear with a post joined to a round disk, to which more spangles are attached. These were worn by  rich Karo aristocrats, who used them at grand adat festivals. From early 20th century or older. Dimensions: 8 x 3 cm Weight: 26,2 gr Literature: “Gold Silver and Brass, jewellery of the Batak”, Sibeth, Achim, 5 Continents Editions, 2012, p.56-57 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 142 “A world of earrings. Africa, Asia America”, van Cutsem,  Anne, Skira, 2001, p. 261 “Power and gold: jewelry from Indonesia, Malaysia and the Philippines”, Rodgers, Susan, Presteg Verlag, Geneve, 1988, p. 275-6 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 202 “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p. 367 INDO169
  • Gilded silver Karo Batak ring called Tapak gajah, from Sumatra, Indonesia. This type of ring was made on instructions from a guru or religious specialist, and was worn as a method of treatment. Additional magic substances were often inserted on the inside of the bezel. The Batak interprered illness as proof that their living soul had temporarily lost direct contact with its person. Through such a ring and the medicine of a guru  the soul could be persuaded to stay close to the patient, who would quickly  recover from his or her illness. The outside of the ring is decorated with lavish filigree, twisted wires and granulations. From the 19th or early 20th century. Provenance: Belgian private collection Dimensions: Top of the ring: 1,5 x 1,2 cm Ring size: US 9 - 19 mm inner diameter Literature: “Bagues ethniques d’afrique, d’Asie et d’Amerique”, van Cutsem, Anne, Skira, 2000, p. 177 “Gold Silver and Brass, jewellery of the Batak”, Sibeth, Achim, 5 Continents Editions, 2012. p. 118 “Power and gold: jewelry from Indonesia, Malaysia and the Philippines”, Rodgers, Susan, Presteg Verlag, Geneve, 1988, p. 279 INDO98
  • Old silver choker “katesari” necklace from Uttar Pradesh, in Northern India. Each unit contains a foil-backed clear-glass “stone” The lower row has a central auspicious red dot (tikka). From the 1st half of the 20th Century. Dimensions: Silver part length: 18 cm (7,09 in) Width with dangles: 5,5 cm (2,16 inches) It weighs 130 gr. The string has been recently replaced and the size can be adjusted to the neck with a slipknot. References: “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “Metallschmuck aus Indien”, Höpfner & Haase, Museum für Völkerkunde, Berlin, 1978 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 IND1301
  • Old Kazakh silver ring from Central Asia, with very nice worn patina. The oval bezel setting is backed with red paper. High grade silver. From the 19th or early 20th century. Provenance: German private collection. Size of the ring: 18,25 mm (inner diameter) - US size 8. Literature: “Later Islamic Jewellery”, L.A. Mayer Institute for Islamic Art, Jerusalem, 1987, p. 143 “The arts and crafts of Turkestan”, Kalter, Johannes, Thames and Hudson, 1983, p. 127 CA144
  • Head ornament  worn by chamans from Krui people (South Sumatra) or  from Siberut Island, Mentawai archipielago (Indonesia). Materials: wood, cotton, glass beads, cauris, shell, paper seeds. The suspended objects are considered to have magic powers. First half of the 20th century. Dimensions: 20 x 20 x 18 cm Literature: “Le Monde en Tete”, Seuil, 2019, p. 190 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 186 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 101 “Voyage dans ma tête”, fage éditions, 2010, p. 152 INDO131
  • Beaded pectoral called hapamat , worn by Kungrat Uzbek women, Central Asia. Women of these Uzbek group make themselves beaded ornaments, that are meant to be protective against evil eye. Unlike other ethnic groups of Central Asia that use silver or gold to make their ornaments, the Kungrats prefer beads to adorn themselves. Materials: Glass beads, metal ornaments, mother of pearl buttons, cowries and cotton thread. From the 60s' of 20th century. Provenance: European private collection. Dimensions: 34 x 28 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 205 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 259 “Schmuck aus Zentralasien”, Prokot, Inge and Joachim  Callwey, Verlag München, 1981, p. 110 CA203
  • Beaded pectoral called hapamat , worn by Kungrat Uzbek women, Central Asia. Women of these Uzbek group make themselves beaded ornaments, that are meant to be protective against evil eye. Unlike other ethnic groups of Central Asia that use silver or gold to make their ornaments, the Kungrats prefer beads to adorn themselves. Materials: Glass beads, metal ornaments, mother of pearl buttons, cowries and cotton thread. From the 60s' of 20th century. Provenance: European private collection. Dimensions: Pectoral:29 x 21 cm Length of the doble beaded strand to fasten it: 38 cm Literature: “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 205 “Jewelry from the Orient (Bir Collection)”, Seiwert, Wolf Dieter, Arnoldsche, 2009, p. 259 “Schmuck aus Zentralasien”, Prokot, Inge and Joachim  Callwey, Verlag München, 1981, p. 110 CA202
  • Lahu or Lisu silver earrings from the Golden Triangle (SE Asia). Surrounded by small pendants, a decorated bell hangs in the middle of each earring. The hook is a new addition and allow the earrings to be easily worn. From the first half of the 20th century. Length with hook: 9,5 cm Combined weight: 63 gr Literature: “A world of earrings. Africa, Asia America”, van Cutsem,  Anne, Skira, 2001, p. 196 “Peoples of the golden triangle”, Lewin, Paul and Elaine, River Books, Bangkok, 1998, p. 61 SEA509
  • Old silver earrings from the Hmong or Lahu people,  hill tribes living in the Golden Triangle hills on the border of Laos, Thailand and Myanmar. They have to be wear on extended earlobes holes. They have  a row of dangles hanging from twisted wires, and beautiful etched decoration. One of the earrings has been restored. Material: high grade silver. From the first half of the 20th century Dimensions: 6,5 x 4 cm Combined weight 29,7 gr. Literature: “A world of earrings. Africa, Asia America”, van Cutsem,  Anne, Skira, 2001, p. 225 “The art of silver jewellery. From the minorities of China, the Golden Triangle, Mongolia and Tibet”, Skira, 2006, p. 156 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 230 SEA489
  • South Sumatran comb used  as part of the wedding cerimonial jewellery, together with other pieces (Indonesia). These filigree combs are found in Lampung and are usually referred to as Lampung combs, it appears that they were manufactured n West Sumatra by the Minangkabau who excelled in this work. The filigree and granulated decoration confirm de Islamic influence on the Sumatran coasts. Materials: gilded silver, silver. From the first half of the 20th century. Dimensions: 13,5 x 6 cm Weight: 69,4 gr Literature: “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2005, p. 280 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 125 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 273 INDO155

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