• High grade silver bracelet from the Qing Dynasty. Bracelets like this were always a betrothal gift, given to the bride’s family by a middleman, together with other gifts and a proposal card. Age: 19th century. Dimensions: Inner diameter: 6 cm Width: 1,5 cm Literature: “Four centuries of Silver. Personal adornment in the Qing Dynasty and after”, Duda, Margaret, Times editions, Singapure, 2002, p.102 SEA301
  • High grade silver bracelet from the Qing Dynasty. Bracelets like this were always a betrothal gift, given to the bride’s family by a middleman, together with other gifts. Age: 19th century. Dimensions: Inner diameter: 6 cm Width: 1,5 cm Literature: “Four centuries of Silver. Personal adornment in the Qing Dynasty and after”, Duda, Margaret, Times editions, Singapure, 2002, p.102 SEA296
  • Silver ring, with two coral beads insets, for doble protection. Rare find, in good condition. From the 19th century or early 20th. High grade silver and coral. Provenance: Spanish private collection. Size of the ring: 20 mm or US size 10 Literature: “Bagues ethniques d'afrique, d'Asie et d'Amerique”, van Cutsem, Anne, Skira, 2000, p. 98-99 “Silver treasures from the land of Sheba”, Ransom. Marjorie, The American university in Cairo Press, 2014, p.63 YEM106
  • Fulani (Peul) necklace, made with very old carnelian round beads, old Czech glass beads and skunk old Venetian glass beads. This type of necklaces is valued by many of the Fulani groups, and women wear several strands at the same time. Carnelian is believed to ease menstrual pains and help cure sicknesses of the blood. The carnelian arriving for centuries to the West African cultures came from the mines in Gujarat, India, first through the Arab trade boats and then by caravan crossing Africa from East to West. Dimensions: Length: 80 cm The round carnelian beads measure 1 cm. Weight: 152,9 gr. Literature: “Africa Adorned”, Fisher, Angela, Collins Harvill, London, 1984, p. 169 WA166
  • High grade silver earrings from Oman, linked by a "mishill" headband made of finely woven silver. The silver band is passed over the head and it is meant to alleviate the weight of the hoop earrings. Worn mainly in North Oman. The silver band was worn under the head-cloth. A woman first wore the mishill at her wedding and thereafter she would have worn it at all festivals and special occasions. From Mid 20th century or earlier. Provenance: private French collection. Dimensions: Each earring: 6,5 cm (diameter) Total length: 40 cm Weight: 85,6 gr Literature: “Oman Adorned”, Shelton, Pauline-Morris, Miranda, Apex Publishing, 1997, p.64 “Silver Jewellery of Oman”, Rajab, Jehan S., Tareq Rajab Museum, Kuwait, 1997 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 390 “Silver. The traditional art of Oman”, Hawley, Ruth, Stacey international, London, 2000, p.65 ME272
  • High grade silver flat plain neck ring, mainly worn by Akha women (Hill tribes, Golden Triangle, SE Asia). These neck ornaments were made by hammering a silver plate until the desired shape was achieved. From early 20th century. Provenance: Italian private collection Dimensions: Size: 19 x 18 cm Inner diameter: 13,5 cm Back opening: 4,5 cm Weight: 194,2 gr Literature: “Peoples of the golden triangle”, Lewin, Paul and Elaine, River Books, Bangkok, 1998, p. 48 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 141 “The art of silver jewellery. From the minorities of China, the Golden Triangle, Mongolia and Tibet”, Skira, 2006, p.142-144-5 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 318 SEA492
  • This is a rare silver box. Although it looks Persian at first sight, when examined closely it seems to be from a different region. It is  still Quoran box amulet , with a lid that opens, but the decoration  looks maybe Middle Eastern. It also has three bails, which suggests that it is worn, not on the forearm (as Persian/Afghans ones) but probably hanging as a pendant. It could also be from Iran or Afghanistan, a different type  than the ones that are more often found, or maybe from a transitional region between the Middle East and Central Asia. Material: high grade silver. From the first quarter of the 20th century or earlier.  It is in good condition. Provenance: French private collection. The box was sourced in Saudi Arabia in the 60s or 70s. Dimensions (with bails): 6,5  x 6 x 1,8 cm Weight: 53 gr ME252
  • This is a rare silver box. Although it looks Persian at first sight, when examined closely it seems to be from a different region. It is  still Quoran box amulet , with a lid that opens, but the decoration  looks maybe Middle Eastern. It also has three bails, which suggests that it is worn, not on the forearm (as Persian/Afghans ones) but probably hanging as a pendant. It could also be from Iran or Afghanistan, a different type  than the ones that are more often found, or maybe from a transitional region between the Middle East and Central Asia. Material: high grade silver. From the first quarter of the 20th century or earlier.  It is in good condition. The hinge on one side is working, but the lock on the other side can not be fastened to the base. Provenance: French private collection. The box was sourced in Saudi Arabia in the 60s or 70s. Dimensions (with bails): 6,5  x 6 x 1,8 cm Weight: 43 gr ME253
  • This is a rare silver box. Although it looks Persian at first sight, when examined closely it seems to be from a different region. It is  still Quoran box amulet , with a lid that opens, but the decoration  looks maybe Middle Eastern. It also has three bails, which suggests that it is worn, not on the forearm (as Persian/Afghans ones) but probably hanging as a pendant. It could also be from Iran or Afghanistan, a different type  than the ones that are more often found, or maybe from a transitional region between the Middle East and Central Asia. Material: high grade silver. From the first quarter of the 20th century or earlier. It is in good condition. Although it has a lid, it doesn't seem to be openable, also no hinges. Provenance: French private collection. The box was sourced in Saudi Arabia in the 60s or 70s. Dimensions (with bails): 6,5  x 6 x 1,8 cm Weight: 52,8 gr ME250
  • Head ornament  worn by chamans from Krui people (South Sumatra) or  from Siberut Island, Mentawai archipielago (Indonesia). Materials: wood, cotton, glass beads, cauris, shell, paper seeds. The suspended objects are considered to have magic powers. First half of the 20th century. Dimensions: 20 x 20 x 18 cm Literature: “Le Monde en Tete”, Seuil, 2019, p. 190 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 186 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 101 “Voyage dans ma tête”, fage éditions, 2010, p. 152 INDO131
  • Fon bracelet made of silver and worn on the upper part of the arm. More than one hundred years ago, the elite of the Danhomé Kingdom in West Africa would have worn these silver ornaments to adorn themselves and show off their wealth, and also to protect themselves from harm and evil. Fashioned by jewelers from imported silver coins, the ornaments were embellished with tiny sculptures that refer to past kings, heroic wars, and the Vodun religion. The coins attached to the ornaments date from between 1873 and 1910. Silver content is probably around 700/1000. Provenance: French private collection. Dimensions: Central plate: 5 x 4 x 4 cm Length of the chains: 20 cm Weight: 42,7 gr WA179
  • Shawl clasp digra worn by Monpa women in Kameng Division, Arunachal Pradesh (India). Used to fasten the clothes, the bail was at the bottom when worn, with an ornamented chain hanging from it. Aka and Miji tribal women from the same division would also wear this garment. Made of silver, coral and turquoise. 19th century or early 20th Provenance: European private collection Dimensions: 8,3 x 6 cm Weight: 40,5 gr Literature: "The seven sisters of India", Stirn and Van Ham, Prestel, 2000, p. 46 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 139 “Himalayan treasures”, Giehmann, Manfred, The Manfred Giehmann collection, 2019, p.75, 80 HIM151

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