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Silver woman’s Qu’ran holder in a rectangular shape, decorated with filigree, glass beads and 2 coral beads on the sides. It has an opening lid on top, and coins at the bottom, which are the original dangles of this piece. From Syria, probably from Deir ez Zor. Late 19th century or beginning of the 20th.Coins are dated 1293 of the Islamic calendar, which corresponds to 1871 of our calendar. Some of the small blue glass beads are missing. Material: High grade silver (coins), low grade silver, coral, glass beads. Dimensions: Size of the amulet with coins: 9,5 x 10 cm Lenght of the chain (approx): 80 cm Literature: “The arts and crafts of Syria”, Kalter, Johannes, Thames and Hudson, 1992, p. 98 ME229
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Silver woman’s Qu’ran holder “muskalik” in a triangular shape, decorated with filigree and a turquoise gemstone, opening lid on top, and coins at the bottom and worn over the shoulder on a long chain. from Syria or Southern Anatolia. Late 19th century,or later 20th. The coins are a later addition to the pendant, which probably had a diferent kind of dangles. Coins are dated 1223 and 1255 of the Islamic calendar, which corresponds to 1801 and 1833. This kind of amulet was an export item made in various smithing centers of the core of the ottoman world (Istanbul, Damascus, Sarajevo…) following a popular trend and fashion from the second half of the 19th century. Material: High grade silver (coins), low grade silver and turquoise. Dimensions: Size of the amulet with coins: 12 x 10 cm Lenght of the chain (approx): 66 cm Literature: “The arts and crafts of Syria”, Kalter, Johannes, Thames and Hudson, 1992, p. 98 ME225
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High grade silver earrings from Oman, linked by a "mishill" headband made of finely woven silver. The silver band is passed over the head and it is meant to alleviate the weight of the hoop earrings. Worn mainly in North Oman. The silver band was worn under the head-cloth. A woman first wore the mishill at her wedding and thereafter she would have worn it at all festivals and special occasions. From Mid 20th century or earlier. Provenance: private French collection. Dimensions: Each earring: 6,5 cm (diameter) Total length: 40 cm Weight: 85,6 gr Literature: “Oman Adorned”, Shelton, Pauline-Morris, Miranda, Apex Publishing, 1997, p.64 “Silver Jewellery of Oman”, Rajab, Jehan S., Tareq Rajab Museum, Kuwait, 1997 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 390 “Silver. The traditional art of Oman”, Hawley, Ruth, Stacey international, London, 2000, p.65 ME272
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Old silver pendant necklace, used as a lingam casket box. These pendants were designed as containers to hold a sacred lingam stone representing the god Shiva. With gold appliqué on the top of the casket. Lingayats are a Hindu group who believe that Shiva is the only deity, rather than the 3 gods revered by other Hindus. They also believed that the sacred presence of Shiva was not simply confined to the temple, but that it could be held in these pendants for a personal connection to the god. Bibliography: “Traditional Jewelry of India” by Oppi Untracht, page133. This is an original and worn piece, in excellent condition, from the 19th Century. Provenance: Ex- Michael Backman Gallery Length of the chain: 83 cm Size of pendant: 4,5 x 6,8 cm It weighs 108 gr. For more information about this fascinating pieces, please see my post on Indian lingam box caskets. IND1148
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Old silver pendant necklace, used as a lingam casket box. These pendants were designed as containers to hold a sacred lingam stone representing the god Shiva. With gold appliqué on the top of the casket. Lingayats are a Hindu group who believe that Shiva is the only deity, rather than the 3 gods revered by other Hindus. They also believed that the sacred presence of Shiva was not simply confined to the temple, but that it could be held in these pendants for a personal connection to the god. Bibliography: “Traditional Jewelry of India” by Oppi Untracht, page133. This is an original and worn piece, in excellent condition, from the 19th Century. Provenance: Ex- Michael Backman Gallery Length of the chain: 83 cm Size of pendant: 5,2 x 6,2 cm It weighs 98 gr. For more information about this fascinating pieces, please see my post on Indian lingam box caskets. IND1152
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Fulani (Peul) necklace, made with very old carnelian round beads, old Czech glass beads and skunk old Venetian glass beads. This type of necklaces is valued by many of the Fulani groups, and women wear several strands at the same time. Carnelian is believed to ease menstrual pains and help cure sicknesses of the blood. The carnelian arriving for centuries to the West African cultures came from the mines in Gujarat, India, first through the Arab trade boats and then by caravan crossing Africa from East to West. Dimensions: Length: 80 cm The round carnelian beads measure 1 cm. Weight: 152,9 gr. Literature: “Africa Adorned”, Fisher, Angela, Collins Harvill, London, 1984, p. 169 WA166
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Necklace with old carnelian beads, alternating with bronze bell beads and some orange glass beads. Worn by the Ao Naga people. From the first half of the 20th century, although some brass trumpets and carnelian beads look older. Provenance: Italian private collection. Dimensions: Length: 72 cm Size of the biggest carnelian beads: 3 cm Size of trumpet-shaped beads: 5,5 cm Weight: 226,1 gr Literature: “The Nagas”,Jacobs, Julian, Edition Hansjörg Mayer, 2012, p. 324 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 338 “The splendour of ethnic jewelry”, Borel, France, Thames & Hudson, 1994, p.156 "Arte Naga", Museo Nacional de Etnología, 1988, p.36 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 64 IND1674
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A two-strand of bronze beads. Each of the them has been cast by the lost wax technique. Most probably Kondh tribal culture, Orisha, India. From the 1st half of the 20th century or earlier. In the original stringing. Provenance: Italian private collection. Length (longest strand): 74 cm Weight: 191,9 gr IND1666
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Old bone earplugs from the Hill tribes living in South East Asia, most probably from Laos or Vietnam. This type of ear ornaments was worn by both men and women. They have to be wear on extended earlobes holes. By the end of the Seventies it was already rare to see men and women wearing these earplugs, and nowadays they are very difficult to find. Dimensions: Length: 36 mm Bigger diameter: 21 mm Smaller diameter (at the centre): 16 mm Weight: 31,4 gr Reference: “A world of earrings. Africa, Asia, America”, van Cutsem, Anne, Skira, 2001 SEA221
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A gold marriage pendant from South India, worn by women in Tamil Nadu and Kerala. This kind of pendants are not massive gold, they usually have a lac core. Purity of gold is 22 kt. From early 20th century or earlier. Provenance: Spanish private collection. Dimensions: Height:3,7 x 1,5 x 1,7 cm Weight: 6,5 gr. Bibliography: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Dance of the peacock”, Krishnam, Usha R. Bala, India book House, 2010 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 For more information about these pendants, check our post about Gold Indian talis IND1661
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A gold marriage pendant from South India, worn by women in Tamil Nadu and Kerala. This kind of pendants are not massive gold, they usually have a lac core. Purity of gold is 22 kt. From early 20th century or earlier. Provenance: Spanish private collection. Dimensions: Height:3,8 x 1,5 x 1,4 cm Weight: 5,47 gr. Bibliography: “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009 “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997 “When gold Blossons”, Aitken, Molly Emma, Asia Society & Philip Wilson Publishers, 2004 “Dance of the peacock”, Krishnam, Usha R. Bala, India book House, 2010 “El llenguatge de la joia”, Fundació Caixa Girona, 2008 For more information about these pendants, check our post about Gold Indian talis IND1662
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Gold pendant from Rajasthan representing Bhumiya Raj, who is a deified hero, a landed military proprietor or chieftain who died in defense of his property, including villages and their inhabitants. This type of amulet subject is worn chiefly in Western Rajasthan by Hindu Rajputs, Jats and others. From the first half of the 20th century. Dimensions: 2,9 x 2,2 cm Reference: “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers “Indian Folk jewellery”, Ganguly, Waltraud, B.R. Publishing Corporation, 2015 IND1448
