• Matching pair of silver hinged anklets natla, from Oman. The frontal side is elaborately patterned with engraved and embossed designs. They fasten with a pin. For a woman, after marriage, anklets were considered an essential part of the dress. High-grade silver (tested as more 800/1000). From the beginning of the the XXth century. Overall in good condition, they show some wear, consistent with age and use. Provenance: European private collection. Dimensions: Inner diameter: 6,8 cm Total size: 10 x 11,5 x 6 cm Weight: 860 gr References: “Silver. The traditional art of Oman”, Hawley, Ruth, Stacey International, London, 2000, p. 59 “Bracelets ethniques”, van Cutsem, Anne, Skira, 2002, p. 145 “Oman Adorned”, Shelton, Pauline-Morris, Miranda, Apex Publishing, 1997, p. 118 “Disappearing Treasures of Oman”, Forster, Avelyn, Archway books, 1998, p.73 “Shine and Mistery, the splendor and power of Oriental jewelry”, Hoesli, Peter, Knayf-Museum Iphofen, 2023, p. 102-103 ME283
  • Solid bronze or brass bracelet from the Himalayan region, most probably from Buthan. Both terminals feature facing dragons, which is also a common shape for Newar (Nepal) bracelets. Similar bracelets are also worn in Tibet. From the 19th century or early 20th. Provenance: European private collection. Dimensions: Total size: 8,5 x 7,5 x 1,4 cm Inner diameter: 5,5 cm Opening gap: 2,5 cm Weight: 213,2 gr Literature: “Jewellery of Tibet and the Himalayas”, Clarke, John, Harry N. Abrams. Inc publishers, 2004, p. 106 “Himalayan treasures”, Giehmann, Manfred, The Manfred Giehmann collection, 2019, p.172 “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 237 HIM123
  • Fon bracelet made of silver and worn on the upper part of the arm. More than one hundred years ago, the elite of the Danhomé Kingdom in West Africa would have worn these silver ornaments to adorn themselves and show off their wealth, and also to protect themselves from harm and evil. Fashioned by jewelers from imported silver coins, the ornaments were embellished with tiny sculptures that refer to past kings, heroic wars, and the Vodun religion. The coins attached to the ornaments date from between 1873 and 1910. Silver content is probably around 700/1000. Provenance: French private collection. Dimensions: Central plate: 5 x 4 x 4 cm Length of the chains: 20 cm Weight: 42,7 gr WA179
  • Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8 x 6 cm Inner diameter: 5,4 cm Back opening: 2,6 cm Width: 1 cm Weight: 109,7 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO114
  • Big high grade silver anklets from Gujarat, India, with deep repoussé work. These type of anklets is worn by Maldhari women in this region. The big balls are attached to the anklets. These tinkling bells announce the presence of the wearer and at the same time  repel insects and ward off the evil eye. Age: 19th century or early 20th. Dimensions: Total size: 13 x 11,5 cm Innner diameter: 7 cm Width: 2,2 cm Combined weight: 775 gr Literature: “Traditional jewelry of India”, Untracht, Oppi, Harry N. Abrams. Inc publishers, 1997, p. 273 “Indian Folk jewellery”, Ganguly, Waltraud, B.R. Publishing Corporation, 2015, p. 32 “Indian Jewellery”, Holbein Hendley, Thomas, BR publication, Delhi, 2009, p.pl. 64 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. IND1138
  • High grade silver bracelet from West or Central Timor, Indonesia.  Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver  jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. Provenance: European private collection. Dimensions: Total size: 7,5 x 6 cm Inner size: 6 cm Width: 2,5 cm Back opening: 1,7 cm Weight: 104,3 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO118
  • Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8,5 x 6 cm Inner diameter: 6 cm Back opening: 2,8 cm Width: 1 cm Weight: 119,5 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO116
  • High grade silver bracelet from West or Central Timor, Indonesia.  Men and women wore this type of bracelet decorated with spirals. The renowned goldsmiths of Ndao and Roti provided this region with silver  jewelry for which the smelting of the rijksdaalders of the Netherlands provided the raw material. This particular bracelet has been made with a thick silver plate. Provenance: European private collection. Dimensions: Total size: 7,6 x 5,7 cm Inner size: 6 cm Width: 2,5 cm Back opening: 2,2 cm Weight: 149,2 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 296-7 “De kracht van Zilver. Etnische sieraden uit de collectie smith hutschenruyter”, Mols, Luitgard, Wereld Museum, Rotterdam, 2011, p. 186 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p.300 INDO120
  • Uzbek silver bracelet, most probably from Bukhara. The use of gemstones have prophylactic meaning, being turquoise favorable against evil eye and coral a symbol of life. Materials: silver, gilded silver, turquoise and coral. From the 19th century. In very good condition, no parts missing. Dimensions: Inner diameter: 5,7 cm. The bracelet can be opened with a pin. Width: 3 cm Weight: 59,5 cm Literature: “Il corallo. Nell'ornamento dell'Asia islamica dalla Turchia all'Uzbekistan”, del Mare, Cristina-Vidale, Massimo, Electa napoli, 2001, 109 “A song in metal. Folk Art of Uzbekistan”, Abdullayev, T, Gafur Gulyam Art and Literature Publishers, Tashkent, 1986, p. 187 “Traditional jewellery from Soviet Central Asia and Kazakhstan”, Sovetsky khudozhnik Publishers, 1984, p.73 “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 155 CA184
  • High grade silver bracelet in spiral shape narrowing towards the end, used mainly by Wa/Lawa people, one of the Hill Tribes inhabiting the Golden Triangle (SE Asia). Age: First half of the 20th century Provenance: Italian private collection Dimensions: Inner diameter: 6 cm Width: 2 cm Weight: 75,5 gr Literature: “Peoples of the golden triangle”, Lewin, Paul and Elaine, River Books, Bangkok, 1998, p.42 “The art of silver jewellery. From the minorities of China, the Golden Triangle, Mongolia and Tibet”, Skira, 2006, p. 159 “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 267 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 327 SEA495
  • Pair of silver bracelets filled with resin. These bracelets represent caterpillars, animals that have the power to turn into dragons. The dragon is both yan and yin: he is yang as a sign of thunder and celestial activity, and yin as ruler of the watery regions. From the Miao people, Guizhou, China. High grade silver. From the beginning of the 20th century. Provenance: European collection. Dimensions (each): Total size: 8,7 x 6,5 x 1,6 cm cm Inner diameter: 5,8 cm Back gap: 3 cm Combined weight: 82,5 cm Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 247 “The art of silver jewellery. From the minorities of China, the Golden Triangle, Mongolia and Tibet”, Skira, 2006, p. 108 “De fil et d'argent, memoire des Miao de Chine”, Museé des Arts asiatiques, Nice, 2004, p.125 SEA485
  • Vintage Zuni silver and turquoise bracelet, from the Zuni people inhabiting New México (USA). Age:20th century Made of high grade silver and turquoise. Dimensions: Total size: 7 x 5,8 x 2 cm Inner size: 6,3 cm Weight: 56,9 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem,  Anne, Skira, 2002, p. 321 “Indian silver jewelry of the Southwest 1868-1930”, Frank. Larry, Schiffer, 1990 “Turquoise”, Mark P. Block, Schiffer, 2017 “North American Indian jewelry and adornment”, Sherr Dubin, Lois, Harry N. Abrams, 1999 AME13

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