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Rare Minangkabau necklace, from West Sumatra, Indonesia. The necklace is made of gilded high grade silver (tested) and terracotta beads. From the 19th or early 20th century. Dimensions: Length: 60 cm Size of the each pendant: 6,5 x 6 cm Weight: 34,6 gr INDO146
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Gilded silver filigree earrings called "padung curu-curu" for women, shaped like small cones with many tiny spangles at the bottom. Filigree work decorates the sides of the cones, and the earring is attached to the ear with a post joined to a round disk, to which more spangles are attached. These were worn by rich Karo aristocrats, who used them at grand adat festivals. From early 20th century or older. Dimensions: 8 x 3 cm Weight: 26,2 gr Literature: “Gold Silver and Brass, jewellery of the Batak”, Sibeth, Achim, 5 Continents Editions, 2012, p.56-57 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 142 “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001, p. 261 “Power and gold: jewelry from Indonesia, Malaysia and the Philippines”, Rodgers, Susan, Presteg Verlag, Geneve, 1988, p. 275-6 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 202 “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p. 367 INDO169
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Massive gilded silver filigree earrings called "karabu kudung-kudung" from North Sumatra. This type of earrings was worn by women on their wedding day and during other ceremonies that mark a transition to a new phase in the life cycle. The form of the pendant, with its four curved silver strips is somewhat reminiscent of a lantern. From early 20th century or older. Dimensions: 15 x 5 cm Combined weight: 105 gr Literature: “Gold Silver and Brass, jewellery of the Batak”, Sibeth, Achim, 5 Continents Editions, 2012, p.37, 60-62 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 142 “A world of earrings. Africa, Asia America”, van Cutsem, Anne, Skira, 2001, p. 261 “Power and gold: jewelry from Indonesia, Malaysia and the Philippines”, Rodgers, Susan, Presteg Verlag, Geneve, 1988, p. 275-6 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 201 “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p. 364-5 INDO168
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Necklace worn by Dayak Kenyah people in East Kalimantan, Indonesia. Beads are valued by all the Borneo's tribes. Dayak families of the upper class own a certain number of old beads which formed an important part of a family’s prestige and wealth, and were one of the principal forms of currency. Materials: Silver and glass beads. Glass beads were for years imported and traded from India, China and Europe. The yellow doughnut beads and the rosette decorated beads have considerable ritual value. Age: The necklace is made with beads of different ages, some of them could be a couple of hundred years old or more, other glass beads are from the 19th and 20th century. The majority of the heirloom glass beads in Kalimantan are most probably from the 17th-19th c, when trade with Europe was at his height. Dimensions: Total length: 80 cm Diameter of biggest bead: 1,5 cm Literature: "Heirloom beads among the Dayak of Borneo", Campbell, Barbie, BEADS: Journal of the Society of Bead Researchers 34 (2022) "Beads of Borneo", Munan, Heidi, Editions Didier Millet, 2005, p. 11 "Beads in Indonesia" Adhyatman, Sumarah - Arifin, Redjeki, Penerbit Djambatan, 1993, p. 79 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 343 INDO81
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Necklace worn by Bidayuh people in West Borneo, Indonesia. Worn mainly by men. Beads are valued by all the Borneo's tribes. Dayak families of the upper class own a certain number of old beads which formed an important part of a family’s prestige and wealth, and were one of the principal forms of currency. Materials: glass beads and brass bells. The brass bells add spiritual strength to the translucent blue and green glass beads. Age: The necklace is made with beads of different ages, some of them could be a couple of hundred years old or more, other glass beads are from the 19th and 20th century. The majority of the heirloom glass beads in Kalimantan are most probably from the 17th-19th c, when trade with Europe was at his height. Dimensions: Total length: 78 cm Diameter of biggest bead: 1,8 cm Literature: "Heirloom beads among the Dayak of Borneo", Campbell, Barbie, BEADS: Journal of the Society of Bead Researchers 34 (2022) "Beads of Borneo", Munan, Heidi, Editions Didier Millet, 2005, p. 65 “Colliers ethniques d'Afrique d'Asie, d'Océanie et d'Amérique”, Leurquin, Anne, Skira, 2003, p. 343 INDO80
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Hair pin from Sumba, Indonesia Material: Tortoiseshell From the first half of the 20th century or earlier. Provenance: European private collection. Dimensions: 14 x 6,5 cm Literature: INDO42
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A broad war helmet frontlet shaped from hammered brass known as a tap lavong kayo from Kayanic Dayak, eastern Kalimantan, Borneo, Indonesia.
Material: bronze.
From the first half of the 20th century.
The frontlet is folded gently backwards at the midsection to accommodate the curvature of the helmet and features projecting tendrils that flank a highly stylized visage. Scholars posit that these figures represent protective guardian spirits or perhaps spirits of ancestral figures who protect the warriors during each instance of combat.
Provenance: European private collection
Dimensions:
Only the helmet frontlet: 19,5 x 13 cm
Literature:
“Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 152 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 279, 324 “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 211 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 222INDO107
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South Sumatran comb used as part of the wedding cerimonial jewellery, together with other pieces (Indonesia). These filigree combs are found in Lampung and are usually referred to as Lampung combs, it appears that they were manufactured n West Sumatra by the Minangkabau who excelled in this work. The filigree and granulated decoration confirm de Islamic influence on the Sumatran coasts. Materials: gilded silver, silver. From the first half of the 20th century. Dimensions: 13,5 x 6 cm Weight: 69,4 gr Literature: “Parures de tête ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2005, p. 280 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 125 “Magie van de vrouw”, Vanderstraete, Anne, wereldmuseum, Rotterdam, 2012, p. 273 INDO155
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Pubic ornament for boys, which was worn around the waist. From Sumbawa, Indonesia. High grade silver, decorated with filigree and granulation. From the 19th century. Dimensions: Ornament(with round beads): 7,5 x 5,5 cm Height with base: 20,5 cm Weight: 16,2 gr Literature: “Sieraden, en lichaamsversiering uit Indonesië”, Wassing, Rita, Museum Nusantara, 1984, p.116 INDO133
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Head ornament worn by chamans from Krui people (South Sumatra) or from Siberut Island, Mentawai archipielago (Indonesia). Materials: wood, cotton, glass beads, cauris, shell, paper seeds. The suspended objects are considered to have magic powers. First half of the 20th century. Dimensions: 20 x 20 x 18 cm Literature: “Le Monde en Tete”, Seuil, 2019, p. 190 “Ethnic jewellery and adornment” Daalder, Truus, Ethnic Art Press, 2009, p. 186 “Ethnic Jewelry from Indonesia”, Carpenter, Bruce W., Editions Didier Millet, 2011, p. 101 “Voyage dans ma tête”, fage éditions, 2010, p. 152 INDO131
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Rare Minangkabau necklace,from West Sumatra, Indonesia. The necklace is made of high grade silver (gilded). While the oval filigree pendants with a central flower might suggest the stylized lotus, they are also typical of the star forms used in the Islamic design protocols of the Ottoman Empire, the Middle East and elsewhere. Late 19th century pictures show women of Solok wearing similar necklaces and it is likely that they were either made in nearby Padang on the coast or asembled there from filigree elements sent down by numerous silversmiths working in the Agam hills. The Central pendant is the biggest, and the rest have decreasing sizes. From the 19th or early 20th century. Dimensions: Length: 50 cm Size of central pendant with dangles: 6,5 x 3,5 cm Weight: 73,6 gr Literature: “Gold Jewellery of the Indonesian Archipelago”. Anne Richter, Bruce W. Carpenter, ed.Didier Millet, 2011, p.286 INDO136
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Solid silver bracelet from Timor (Indonesia). Worn bu Atoni Pah Meto warriors, who occupy most of what is now the Indonesian western half of the island. The silver ornaments were comissioned to silversmiths of Ndao and Roti, and the rijksdaalders coins from the Netherlands were melted to produce the silver. From early 20th century. Provenance: Belgian private collection. Dimensions: Total size: 8 x 6 cm Inner diameter: 5,4 cm Back opening: 2,6 cm Width: 1 cm Weight: 109,7 gr Literature: “Bracelets ethniques d'afrique, d'Asie d'Océanie et d'Amérique”, van Cutsem, Anne, Skira, 2002, p. 297 “Vanishing beauty“, The Art Institute of Chicago, 2016, p. 222 “Silver from fetish to fashion”, Nadler, Daniel and Serga, pdn publishing, 2005, p. 255 “The jewelry of Southeast Asia”, Richter, Anne, Thames & Hudson, 2000, p. 211 INDO114